A VIAMAP exploration of the Tunisian ṭubūʿ

The fourteen analysed instrumental pieces are taken from the ‎Tunisian repertoire of traditional ṭubu’ – mainly improvisations of Muḥammad Ghānim on rabāb and °Khmayyis° Tarnān onʿūd °ʿarbī° – recorded at the 1932 Congrès du Caire. We show that the tools developed in the last few years allow for a thorough analysis of this repertoire and, mostly, that even the most “simple” performances by renowned musicians have much to tell about the music that they tried to represent at this occasion.

Psychological reflection in musicology

This article is interested in the study of the methodological and practical contribution of psychology to research in musicology. First, we discuss the relationship between the psychological and the musical, high lighting the idea of ​​the psychology of the musical and the musicality of the psychological. In a second step, we present four areas which a rose from the joint interest in the psychological and the musical.

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